I’m told my reeds are quite narrow, but they seem to fit in pretty well with Lou Skinner’s reed design. If you haven’t already checked out The Bassoon Reed Manual: Lou Skinner’s Theories and Techniques by James McKay, do so. It’s been invaluable, especially for contra. It turns out I’ve been using his Five Tests for years now and never knew it because they’d been shown to me by another bassoonist. My instrument before this was a Schreiber and I remember thinking that my Moosmann 200 felt very similar in key structure and sound. I think Fox Bassoons tend to respond better to a wider reed design, which may be part of why I didn’t appreciate the sound of those I tried. Anyway, here’s his diagram straight from the book:
Freelance bassoonist and carpenter of the reedy persuasion, residing and thriving in Tucson, AZ.
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Have Bassoon Will Cook
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